24 Mar 2014
New Order North American Tour 2014 
New Order North American Tour 2014

New Order return to North America in July 2014 for selected US and Canadian dates in Chicago, Vancouver, Seattle, San Francisco and Los Angeles.

Tickets for most dates go on sale are already on sale with the remainder to follow next month.

July itinerary

1 - Chicago, IL - Aragon Ballroom - Buy Tickets
6 - Seattle, WA - Paramount Theatre - Tickets on sale 11 April 2-14
8 - Vancouver, BC - Queen Elizabeth Theatre - Buy Tickets
11 - San Francisco, CA - Bill Graham Civic Auditorium - Buy Tickets
13 - Los Angeles, CA - Greek Theatre - Tickets on sale 10am 5 April 2014

Meanwhile, New Order also plays Lollapalooza South America in Chile, Argentina and Brazil as follows:

Santiago, Chile, 29-30 March 2014
Buenos Aires, Argentina, 1-2 April 2014
Sao Paolo, Brazil, 5-6 April 2014

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column