24 May 2017
Respect and thanks to those on the sampler 
Noblesse Oblige [FBN 125 / TWI 1234]

Noblesse Oblige (FBN 125 / TWI 1234) is a free sampler CD from Factory Benelux and Les Disques du Crépuscule featuring new and rare tracks from releases in 2016/17, together with several exclusives, and tracks from selected label friends. The line-up includes The Names, The Durutti Column, Paul Haig and Minny Pops.

It's available free when you order two or more CDs, records, t-shirts or card sets via FBN mailorder service (i.e. two or more items in total). It will not be available in the shops.

Tracklisting

1. Cathy Claret - Todo Se Va
2. Isabelle Antena - Over You
3. Marsheaux - Treasure
4. White Sea - Gangster No. 1
5. Fritz Catlin - Shooting the Hunter
6. Maxwell Sterling - The Death of Juno
7. Blaine L. Reininger - Demis
8. Jean-Marc Lederman - A Darker Snare
9. Ultramarine - Equatorial Calms
10. Dislocation Dance - Songs That I Like
11. ElutzC!a
12. The Names - Spectators of Life (2013)
13. Minny Pops - Island (Remix)
14. Paul Haig - Do We Have the Time?
15. The Durutti Column - Requiem For a Father (live 1980)

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column