28 May 2017
The History Lesson - Stepping Out 
Stepping Out

The full catalogue of Factory Records FAC numbers is loved by everyone for its patterns and idiosyncrasies. In 1979, the nascent label was planning the first real wave of releases following on from the FAC 2 sampler and various events at The Factory. This flyer, entitled "Stepping Out" provides more detail and whilst some is familiar there's a few curveballs indicating what might've been.

Notably it seems that "instrumental album" by The Durutti Column was once scheduled to be FAC 12 and The Distractions' first single was slated as FAC 14. These would eventually swap and get different titles ("Pillow Talk" was actually "Pillow Fight", the eventual FAC 12 b-side).

FAC 13 was also going to be a badge before turning into "Transmission", the first single by Joy Division. I assume that this was the same badge that came out as FAC 21.

Finally, FAC 15 was originally going to be a single by Elti-Fits but turned into the Leigh Festival/Zoo Meet Factory Halfway event held in Leigh.

Transcription

FAC 5 A CERTAIN RATIO "All Night Party" 7" 45rpm Out now
FAC 6 ORCHESTRAL MANOEUVRES "Electricity" 7" 45rpm Out now
FAC 9 FACTORY FLICK "No City Fun" 8' 16mm July
FAC 10 JOY DIVISION "Unknown Pleasures" 12" 33 1/3 rpm July
FAC 11 X-O-DUS "English Black Boys" 7" 45rpm To be mixed
FAC 12 THE DURUTTI COLUMN Instrumental album 12" 33 1/3 rpm August
FAC 13 BADGE Fac thirteen with pin July
FAC 14 THE DISTRACTIONS "Pillow Talk" 7" 45rpm August
FAC 15 ELTI-FITS "Thirty Miles" 7" 45rpm August

NEW COMMODITIES
EXCLUSIVELY FACTIONED FOR YOU
THEY ARE ALL YOU NEED;
THEY ARE IN THE SHOPS

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column