24 Jun 2017
True Faith @ Manchester Art Gallery 
True Faith @ Manchester Art Gallery

True Faith explores the ongoing significance and legacy of New Order and Joy Division through the wealth of visual art their music has inspired and runs at Manchester Art Gallery from Friday 30 June to Sunday 3 September 2017 in conjunction with the Manchester International Festival.

"Curated by Matthew Higgs, Director of White Columns, New York (see FAC 171) and author and film-maker Jon Savage with archivist Johan Kugelberg, True Faith is centred on four decades' worth of extraordinary contemporary works from artists including Julian Schnabel, Jeremy Deller, Liam Gillick, Mark Leckey, Glenn Brown and Slater Bradley, all directly inspired by the two groups.

"Also featuring Peter Saville's seminal cover designs, plus performance films, music videos, fashion and posters from John Baldessari, Barbara Kruger, Lawrence Weiner, Jonathan Demme, Robert Longo, Raf Simons and Kathryn Bigelow, True Faith provides a unique perspective on these two most iconic and influential Manchester bands. The exhibition will also present a selection of rarely seen personal materials, including original hand written lyrics."

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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column