16 Oct 2017
A change of pace - a change of style 
A change of pace - a change of style - Handwritten Factory Records release schedule for Late Winter / Spring / Early Summer 1984

FACTORY RECORDS

Releases Late Winter / Spring / Early Summer

EARLY MARCH

FAC 97 "ACT ON INSTINCT" STREETLIFE
12" single from Belgian Band led by Wally Van Middendorp

FAC 96 "TELSTAR" - AD INFINITUM
7" Reworking of classic antique. The lyrics are implicit and vocoded. Only available with special holographic sleeve

MARCH 29TH

FAC 88 "TALK ABOUT THE PAST" - THE WAKE
12" + 7" Single by Glasgow's hottest young things. Produced by Oz at Revolution Manchester. Extra Piano by Vini Reilly

APRIL

FACT 90 "FROM THE HIP" - SECTION 25
New Album from the seaside, a change of pace - a change of style. A Be Music production.

FAC 103 "THIEVES LIKE US" - NEW ORDER
12" Single De Chirico Reconstruction Sleeve. Engineered by Michael Johnson. B/W "Are you lonesome tonight". Instrumental Mix available B/W "Murder" from Factory Benelux.

FAC 92 "KEEP ON DANCING / REACH UP FOR LOVE" MARCEL KING
Double A 12" Single Sweet sensation dances out and back on a BeMusic - Dojo production.

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Handwritten Factory Records release schedule for Late Winter / Spring / Early Summer 1984 featuring Streetlife (not sure about the Belgian description), Ad Infinitum, The Wake, Section 25, New Order and Marcel King. From the AHW collection.

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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

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