21 Oct 2017
Blue Monday and Bobby Orlando 


Eaton Music Limited
8 West Eaton Place, Belgravia
London SW1X 8LS


24 October 1983

The Managing Director
Factory Records
86 Palatine Road
Didsbury
Manchester 20

Dear Sir

Blue Monday

We control in the United Kingdom the rights in various compositions by Bobby Orlando including "Love Reaction" and "Passion".

An allegation has been made by Warner Bros Music Ltd. that the work "Love Reaction" was written in infringement of one of the copyrights they claim to own called "Blue Monday". You may already have received a letter from Messrs. Russells acting for Warner Bros. Music Ltd.

The allegation of infringement of copyright is untrue. Conversely, the writer of all the above works feels that "Blue Monday" was written in infringement of several of his works including not only those referred to above but also "Spys". His claim is being actively investigated and pursued, and we should therefore be grateful if you would place all royalties in respect of "Blue Monday" in suspense, pending resolution of the dispute. Please confirm to us that you have done so.

If you would like any further information, please do not hesitate to let us know, and we will continue to keep you informed.

--

Transcript of original letter to Factory Records concerning copyright issues around Blue Monday by New Order. From the AHW collection.

View the complete letter.

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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

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