11 Jun 2004
Pop pays better 
The Magnetic Fields kicked off their sold out 3-night sojourn at The Lyric in Hammersmith on Thursday and continue on through to Saturday. The HouseOfTomorrow.com has news of forthcoming dates in the USA. The newly-revised schedule is:


24: Minneapolis, MN: Pantages Theatre
25-27: Chicago, IL: Old Town School of Folk Music (Two shows Sat and Sun)
29: St. Louis, MO: The Pageant
30: Columbus, OH: Wexner Center for the Arts


1: Detroit, MI: Theater at Second City
2: Toronto, Ontario: Trinity Saint Paul's United Church
17: Los Angeles, CA: Wilshire Ebell Theatre
19/20: San Francisco, CA: Palace of Fine Arts Theatre

The site also contains a profile of the The 6ths ("every lisper's nightmare"!) which features a revealing connection with Momus, whose 'The History of Sexual Jealousy Parts 17-24' from the Creation Records compilation Doing It For The Kids is a personal favourite.

Finally, there's an interview with the multi-talented, multi-group (Magnetic Fields, The 6ths, Future Bible Heroes, The Gothic Archies) and, apparently, slightly reticent, Stephin Merritt in The Independent online edition from back in May.

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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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