23 Feb 2006
Caroline True Records present The Prefects Live 
News from www.carolinetruerecords.co.uk


Ltd CD: Released Monday 27 February on Caroline True Records (CTRUE2)

"I will always remember that show: it's as Punk Rock as Nirvana at New York's Roseland ballroom in July 1993, when Kurt Cobain refused to play 'Smells Like Teen Spirit' and, to the roars of a hostile crowd, brought on a cello player and played Leadbelly songs." (Jon Savage on the Prefects live experience - sleeve notes 2005)

"Their music is as bleak, cynical and loveless as their personalities, with a perverse humour." (The NME Book Of Modern Music 1978)

The Prefects occupy a very special place in the rich heritage of UK punk and Post-Punk music. Guesting on the incendiary white-riot tour of 1977 with the Clash and the Subway Sect - the band were famously called "amateur wankers" by Clash manager Bernie Rhodes. Vocalist Robert Lloyd was asked to join Joy Division by Ian Curtis as a drummer! Indeed the Prefects were well respected by JD.

Their music was a melange of Krautrock, Beefheart, glam and the Pistols. All the things that PIL were to be later - the Prefects were there first - groundbreaking and unconsciously rewriting the rules.

Carpark records 2004 "Amateur Wankers" release collected together the 2 Peel sessions and some live odds and ends - to go with the posthumous Rough Trade 7" that was released after the split.

Now, February 2006 sees the long awaited release of a recently uncovered 1978 live set from the Co-Op Suite in Birmingham. Featuring all the classic Prefects moments, Faults, Barbarellas and Escort Girls, along with the addition of a live cover - Disco Stomp. A great live document, it's like being back there.

Exclusive liner notes by England's Dreaming / Time Travel / MOJO writer Jon Savage are included inside a special package. As he suggests: "Who'd have guessed that, in the 21st century, the Prefex would find their time."


Album available from: www.carolinetruerecords.co.uk



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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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