9 Jun 2006
The Death of Disco 
Kevin Hewick played Alan McGee's Death Disco at the Notting Hill Arts Club in London on Wednesday 7 June 2006. Alan unfortunately couldn't make this one but The Sessions and Movement (both good, the latter from Manchester) sandwiched an acoustic set from Kevin which the indie pop kids weren't quite expecting. Right from the start he battled against loud hubbub verging on shouting. The second song was barely underway when he stopped procedings and made a plea for some respect.

This made a noticeable difference and although the noise continued it didn't quite reach screaming level again. Nevertheless he played half a dozen great songs and got a good response from the people who were listening (and even, bizarrely, from some of the shouty ones). At one point he told the kids about the wall projections and how he tried to persuade Gaye Advert to take up the bass again after she'd given it up to work in a bookies, the time he hugged Joe Strummer and of seeing the original classic line-up of The Band in 1974. Ah, the irony.

The next time we see Mr Hewick he may be in Rehab.


The Art of Giving a Toss
Love's Old Dream
Complete My Incomplete



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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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