19 Jun 2008
FAC 51 Pure Evil 
Pure Evil gallery in East London has just launched a FAC 51 The Haçienda Family Tree by Elliot Eastwick in two special limited editions. The aluminium edition of 15 copies and the vintage cartridge paper edition of 51 (A1 size). Both editions went on sale at 09:00 today.

Prices are 100 GBP for the paper edition and 500 GBP for the aluminium edition. The colours on each edition are different. There are 2 wooden strips on the back for easy mounting.

Some of the prints will be on display at the Tony Wilson Experience in Manchester this weekend.


Pure Evil Gallery
108 Leonard Street
London EC2A 4RH
Tel: 07805 420771
Gallery Hours: 10am - 6pm daily or by appointment.



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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column