6 Oct 2008
Dig Out Your Gratuitous Factory Records References 
As Dig Out Your Soul hits the physical and digital racks of the nation's record shops what better time to check out #2 in the 20 Greatest Oasis Tracks as chosen by Peter Hook as told to Q Magazine (#267, October 2008):

"Roll With It is rocky, and it plays down the Beatles influence. A lot of Oasis's overtly Beatles-influenced songs piss me off because they're just a rip-off. Roll With It is a balls-in-your-hands, cock-in-the-air song. It's what I thought could have been their true sound if they'd ever got past their Beatles fixation. Oasis actually played an early gig with Revenge at a place called the Middleton Hippodrome in Manchester. It was their first gig they had with Noel on guitar under the name Oasis, because they were called Rain before that. What did I think of them? I thought they were a bunch of cunts. It wasn't an amazing triumph, but I quite like having it on my CV."

Meanwhile check out Hooky's latest playlist as told to the Guardian.

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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

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