21 Sep 2009
Kevin Cummins Competition 
Win Manchester: Looking for the Light Through the Pouring Rain plus a set of posters.


Cerysmatic Factory in association with those nice people at Faber book publishers is offering you a chance to win a copy of Kevin Cummins's new book Manchester: Looking for the Light Through the Pouring Rain together with a set of limited edition posters featuring Morrissey, Ian Curtis, New Order and Oasis.

The posters are 500 x 700mm, printed with black and silver ink, and designed by Wallzo who also designed the book.

We are much obliged to Kevin Cummins who has kindly set the competition questions:

1. One of the following was the manager of The Drones for a short while. Who?

a. Richard Boon
b. Paul Morley
c. Kevin Cummins

2. Why is the predominant colour in Manchester: Looking for the Light Through the Pouring Rain, light blue?

3. Kevin Cummins shot almost 200 NME covers. Who did he photograph for his first one?

Answers please by email [to "info" at "the domain name of this site"] with the subject "Kevin Cummins Competition". The closing date for entries is 22:00 BST on 30 September 2009. The winner will be notified by email.

Thanks and good luck.

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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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