27 Oct 2004
Beautiful Losers 
Part 1 of the Beautiful Losers Silkscreen Portfolio is now available, featuring work by Ed Templeton, the designer of record covers for Hopper.

Each print has been published in an edition of 200, numbered and signed by the artists. Iconoclast Editions is proud to offer prints by the following artists as Part 1 of the Beautiful Losers Portfolio: Mike Mills, Ed Templeton, Chris Johanson, Harmony Korine, Jo Jackson, Tobin Yelland, Terry Richardson, Cheryl Dunn, Geoff McFetridge, Cynthia Connolly, Ari Marcopoulos, Rostarr, Craig R. Stecyk III, Glen E. Friedman, Evan Hecox, Andy Jenkins, Wes Humpston, Ryan McGinness and Henry Chalfant.

The Beautiful Losers Portfolio will be complete when Part 2 is published and available in February 2005 in conjunction with the exhibit's Opening at the Orange County Museum of Art on February 5th, 2005. Each print measures 16x20 inches and is available individually as well as a complete set. The first 30 [Numbers 1 through 30] of each edition will be offered only as a complete Beautiful Losers Portfolio. The complete Portfolio will include a print by each artist, packaged in a custom box with a signed and numbered Title Page.

Ed Templeton
Wasted space is... , 2004
Handmade silkscreen and pencil on soft white acid free archival paper
16 x 20 inches
Edition of 200
Numbered and signed by the artist
$150
Published On The Occasion Of The Exhibit "Beautiful Losers: Contemporary Art and Street Culture", 2004

Thanks to the Iconoclast mailing list for info.

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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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