21 Jul 2008
Electrospective 
Manchester District Music Archive has teamed up with electrofunkroots to bring a marathon celebration of Manchester's 1980s Electro-Funk and B-Boy scene to Islington Mill on Saturday 30 August 2008 from 4pm to 3am.

The event, led by pioneering DJ and producer Greg Wilson, will explore the impact of this seminal underground movement through films, talks and music.

Greg will be hosting Q&As with key figures from the era, including Hewan Clarke, Colin Curtis, Chad Jackson and Mike Shaft, followed by the first ever public screening of Tim 'Bones' Forde's life-affirming film, 'The Birth of the British B-Boy', a 40-minute documentary about Manchester's legendary breakdance troupe Broken Glass Street Crew.

The event will climax with a club night from 10pm-3am, featuring some of the scene's most important DJs and dancers.

Daytime: Free admission from 4pm
Club night: Ticket only after 10pm

Tickets are on sale now from:

www.quaytickets.com (0870 428 0785), Vinyl Exchange, Piccadilly Records and Fat City.

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Peter Saville colour wheel
Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

Factory Records

The Durutti Column