21 Jul 2008
Manchester District Music Archive has teamed up with electrofunkroots to bring a marathon celebration of Manchester's 1980s Electro-Funk and B-Boy scene to Islington Mill on Saturday 30 August 2008 from 4pm to 3am.

The event, led by pioneering DJ and producer Greg Wilson, will explore the impact of this seminal underground movement through films, talks and music.

Greg will be hosting Q&As with key figures from the era, including Hewan Clarke, Colin Curtis, Chad Jackson and Mike Shaft, followed by the first ever public screening of Tim 'Bones' Forde's life-affirming film, 'The Birth of the British B-Boy', a 40-minute documentary about Manchester's legendary breakdance troupe Broken Glass Street Crew.

The event will climax with a club night from 10pm-3am, featuring some of the scene's most important DJs and dancers.

Daytime: Free admission from 4pm
Club night: Ticket only after 10pm

Tickets are on sale now from:

www.quaytickets.com (0870 428 0785), Vinyl Exchange, Piccadilly Records and Fat City.



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Peter Saville colour wheel
A Certain Ratio

"Manchester, 1978. In the beginning there were four: Jez Kerr (bass), Martin Moscrop (guitar/trumpet), Peter Terrel (guitar/effects) and Simon Topping (vocals/trumpet). Four thin boys with a name borrowed from a Brian Eno record, the intense, drummerless quartet initially drew influence from Wire, Eno, the Velvets and Kraftwerk, and gained a manager in Anthony Wilson of Factory Records.

"May 1979 saw the release of their first ACR single, the dark All Night Party, although the sound and musicianship of the band would be transformed by the arrival of funky drummer Donald Johnson (DoJo) in August. Over the next few months the band gigged widely, often with Joy Division as part of Factory packages, and recorded demos with producer Martin Hannett as well as a Peel session. Their support slot with Talking Heads on their UK tour in December 1979 set David Byrne on a new course, and provided the compelling live half of their chic cassette package The Graveyard and the Ballroom. Post-punk, ACR now reflected the influence of Funkadelic, George Clinton, Bootsy Collins, The Bar Kays and James Brown."

- intro to ACR Biography by James Nice (LTM)

The Durutti Column