Scream City 5 was the last edition of the fanzine that I produced, back in 2010 after a 2-year gap from the fourth edition. I didn't know at the time that there wouldn't be any others. In fact, for quite a while after this edition I had an active concept for SC6 "the Video Edition" which would have delved into the world of Ikon, Doublevision, Play at Home, etc and probably come with a free VHS tape glued to the front cover (seriously, this was in the concept!). I did some tests for video titles and had some ideas for articles including the Ikonathon (a non-stop marathon of video-watching that would somehow morph into a critical masterpiece plus, on a more serious note, the extensive interview by Brian Nicholson with the late Malcolm Whitehead that eventually made it onto Cerysmatic (and which, in turn, inspired the whole Scream City digital archive).

Back to Scream City 5 and its international theme, starting with the cover and Buckminster Fuller's Dymaxion projection which has absolutely nothing to do with Factory but just seemed right for this edition. I stopped short of doing the fold-out inside front cover which would've enabled a build-it-yourself Dymaxion globe but I resolve to make the template available for those who are geometrically inclined. This, and other supporting materials such as alternate covers, source materials, etc will be made available once the main issues are published.

There were 10 different articles spread across 60 pages: Andrew James took a Factory Trip Around the World, I interviewed Fiona Allen about The Area and The Haçienda, James Nice presented an extract from his Shadowplayers book and discussed the background, David Quantick sleevenoted The Distractions, Ian McCartney gave us his magnum opus on Mozart vs Joy Division, Matthew Robertson had an exclusive interview with Andrew Penhallow of Factory Australasia, I talked to Mark Reeder, Ike Yard and Michael H Shamberg and David Nolan paid tribute to Larry Cassidy.

To top things off there was a limited edition compilation CD featuring Section 25, Ike Yard, Thick Pigeon, The Wake, The Names, The Durutti Column, Biting Tongues, The Distractions, Shark Vegas and Fidelity Kastrow & Spartak.

Phew! Enough fanzines already!!

Labels: Biting_Tongues, FAC281_The_Area, FAC51_The_Hacienda, Fiona_Allen, Ike_Yard, Malcolm_Whitehead, Scream_City, Section_25, Shark_Vegas, The_Distractions, The_Durutti_Column, The_Names, The_Wake, Thick_Pigeon

Factory Benelux and New Order present Of Factory New York, a unique benefit album released to assist Michael Shamberg, who ran the NYC office of Factory Records during the celebrated label's Eighties heyday.

Available on CD and double gatefold vinyl formats, Of Factory New York gathers a selection of classic tracks by artists associated with OFNY including the John Robie remix of Yashar by Cabaret Voltaire, Do the Du by A Certain Ratio, Cool As Ice by 52nd Street, Love Tempo by Quando Quango, the Megamix version of Looking From A Hilltop by Section 25 and an exclusive version of Your Silent Face by New Order, recorded live on tour in America in June 1989.

Homegrown American talent featured on the album includes Ike Yard, Thick Pigeon, Konk, Anna Domino and deejay/producer Arthur Baker. The cover art is based on an original 1983 design by Lawrence Weiner, the conceptual artist closely associated with Shamberg and Factory's Big Apple operation.

Unfortunately in 2006 Michael was struck down with highly debilitating mitochondrial disease. All artists featured on Of Factory New York have donated their work free of charge, Factory Benelux will take no profit, and 100% of net revenues will be paid over to the medical trust which takes care of Michael.

"Michael has been with us from the very start," explain New Order. "Initially he was in charge of Factory New York, then became creative producer for all our early videos. He brought our attention to the early works of directors such as Kathryn Bigelow, Gina Birch, Robert Breer, Peter Care, Phillipe Decouffle, Jonathan Demme, Robert Frank, Paula Greiff, Robert Longo, Bailie Walsh and William Wegman. Michael is very ill and needs constant medical attention. We want to help him, and played two fundraising shows in 2011. This new Factory New York compilation album will contribute further financial support towards Michael’s ongoing care."

More info via factorybenelux.com.

Vinyl tracklist

A1. A Certain Ratio - Do the Du
A2. Quando Quango - Love Tempo
A3. 52nd Street - Cool As Ice

B1. Cabaret Voltaire - Yashar (John Robie Remix)
B2. New Order - Your Silent Face (live 1989)
B3. Konk - Baby Dee

C1. Section 25 - Looking From A Hilltop (Megamix)
C2. Streetlife - Act On Instinct
C3. Marcel King - Reach For Love (New York Remix)

D1. Thick Pigeon - Subway
D2. Ike Yard - Kino
D3. Arthur Baker - Come On
D4. Anna Domino - Summer (Arthur Baker Remix)

CD tracklisting

1. A Certain Ratio - Do the Du
2. Quando Quango - Love Tempo
3. Konk - Baby Dee
4. 52nd Street - Cool As Ice
5. Cabaret Voltaire - Yashar (John Robie Remix)
6. New Order - Your Silent Face (live 1989)
7. Section 25 - Looking From A Hilltop (Megamix)
8. Streetlife - Act On Instinct
9. Marcel King - Reach For Love (New York Remix)
10. Thick Pigeon - Subway
11. Ike Yard - Kino
12. Arthur Baker - Come On
13. Anna Domino - Summer (Arthur Baker Remix)

Labels: 52nd_Street, A_Certain_Ratio, Anna_Domino, Arthur_Baker, benefit, Cabaret_Voltaire, Factory_Benelux, Ike_Yard, Marcel_King, Michael_Shamberg, New_Order, OFNY, Quando_Quango, Section_25, Streetlife, Thick_Pigeon

After exploring the vaults of Factory Records in both Part 1 and Part 2, the third chapter in our Facs In The Attic series deals with the first overseas releases. We'll have a peek at Factory Benelux issues, old and new, plus round up a few interesting related items released on Belgian cousin Les Disques du Crepuscule.

Factory Benelux

Recently revived as part of the LTM empire (though run as a separate entity), Factory Benelux was a comparatively short-lived project that ran initially for eight years from 1980 to 1988. It could be argued that some of the label's earlier exclusive releases were superior to those issued by the same acts on Factory. Regardless, the value of most of the Benelux catalogue is encouraging - clearly the availability of many of the original FBN releases proved to be scarce in the UK at best, impossible at worst, making the label a hit with collectors.



The earliest singles by A Certain Ratio (Shack Up 7" - FBN 1-004), The Durutti Column (Lips The Would Kiss/Madeleine 7"/12" - FBN 2-005) and Section 25 (Charnel Ground / Haunted 7") all fetch around £15-£20 depending on seller, while further later exclusives by Crispy Ambulance (Live On a Hot August Night 12" - FACBN 4), Section 25 (Je Veux Ton Amour 7" - FACBN 5) and Crawling Chaos (Gas Chair LP - FACBN 6) weigh in from anything between £20 and £50 (for the latter) - these need to be in mint condition to achieve those prices.

Other highlights from the catalogue (now with a shorter FBN prefix) include The Names' sprightly Calcutta 7"/12" at around £15-£20, two further Section 25 releases, Key Of Dreams LP (FBN 14 - £35) and Crazy Wisdom 12" (FBN 45 - £25), two Minny Pops records, Time 7" (FBN 11 - £30) and Sparks In a Dark Room (FBN 15 - up to £50!), two Stockholm Monsters 12" singles Miss Moonlight (FBN 19 - £15) and How Corrupt Is Rough Trade? (FBN 46 - £15) and the original pressing of Durutti Column's wistful Deux Triangles 12" EP (FBN 10 - £30), all of which were only pressed in the Low Countries.

Remaining releases from the initial tenure can be found priced upwards of £10, even those that seemingly match Factory UK singles and albums. However, such as in the case of Swamp Children's So Hot LP (FBN 21 - £20) and Quando Quango's Love Tempo (FBN 23 - £20-£30), a different sleeve can increase collectibility somewhat.

The new, all-sparkly, Factory Benelux label, revived in 2013, has already notched up one rarity - the limited 1000 copies edition of Durutti Column's Short Stories For Pauline (FBN 36) has already prompted a few chancers on Discogs to charge upwards of £30 for a copy.

Les Disques du Crepuscule

Cousin Les Disques du Crepuscule (originally based in Brussels) didn't release a lot of music by Factory artists but occasionally licensed material by a few of the acts and vice versa.



Wim Mertens

You may remember one Wim Mertens from Part 2 of our Facs In The Attic series - £200 for a cassette version of Educes Me should jog your memory. His Belgium catalogue is extensive to say the least but his early Crepuscule releases are also worth a small bankroll (most have admittedly been re-issued on EMI, but original vinyls still command decent prices). For vinyl issued under the collective name Soft Verdict, you can expect to cough up a small mortgage for The Power Of Theatrical Madness 12" (TWI 283 - £50), Maximizing The Audience on 12" (12 TWI 580 - £25), its attendant double-album of the same name (TWI 480 - £20 upwards) and the debut-album For Amusement Only (TWI 049 - £50 upwards). Albums under the Wim Mertens moniker aren't a lot cheaper with perhaps the scariest value being attributed to his (count 'em) 6 CD set Play For Me (TWI 831-2 - £100 average) and the 13 CD set Moment (TWI 1980 - £400).

Anna Domino

Rather more modest is Anna's fine catalogue of dark earthy and intelligent pop. Original vinyl versions of the albums East Meet West (TWI 187) and This Time (TWI 777) can fetch £10 upwards, while her 7" single Trust In Love (TWI 177) hits £15 regularly online, sometimes more.

Cabaret Voltaire

Providers of FAC 82 (Yashar), Cabaret Voltaire issued rather more records for their Belgian friends, including the landmark Three Crepuscule Tracks 12" EP, which includes Sluggin' Fer Jesus (TWI 007 - £10), Fools Game/Gut Level (TWI 120 - £10), the bleeptastic What Is Real on CD single (TWI 948-2 - £12) and the not dissimilar mini-album Percussion Force on CD (TWI 951-2 - £20).

Devine & Statton

OK, not strictly a Factory artist but the Ludus/Young Marble Giants-related pair have a connection - their acoustic cover of New Order's Bizarre Love Triangle, issued as a 12" EP in 1989. TWI 908 was pressed in seemingly short supply and promptly deleted, just as it started to pick up airplay on Radio 1 evening shows. It's worth around £15 in mint condition.

The Durutti Column

Vini Reilly's music probably appeared on more Crepuscule compilations than actual headlining releases but DC did issue a couple. Both on CD, Fidelity (TWI 976-2) and a re-jigged Circuses and Bread (previously issued on Factory Benelux FBN 36 and Factory FACD 154, now called Bread and Circuses) (TWI 988-2) can raise you about £10-£15.

The Names

Responsible for one of Factory's most-revered 7" (Nightshift), The Brussels-based outfit not surprisingly booked themselves a place on their home-label with two releases. The Names' Martin Hannett-produced Swimming LP (TWI 065) can earn you £20-£25 for a top copy while the 12" The Astronaut (TWI 111) came in two colours, black and green vinyl. The former is worth about £10, the green about double.

Thick Pigeon

The quirky outfit's Two Crazy Cowboys album on Factory isn't their only money-spinner worth seeking out - two of their 7" singles are too. Subway (TWI 023) is one of the label's defining moments and is worthy of a £20 note while Dog/Tracy and Pansy (TWI 108) is worth around £10.

Various Artists

There isn't enough space to mention the Crepuscule compilations blessed with the presence of a Factory artist but we'll mention just one that is seriously worth having. From Brussels With Love (TWI 007 and TWI 008, depending on version) sports tracks by The Durutti Column, Martin Hannett (solo track), The Names, A Certain Ratio and a collaboration between Kevin Hewick and New Order. Early copies cost £25 on average (it's a double album) or as little as a tenner for a re-press (or the LTM CD reissue). The original cassette in PVC pouch with booklet is upwards of £25.

Prices quoted are from Discogs, eBay, sightings in shops and other online sources.

You can find new releases and further information on forthcoming projects on Factory Benelux here and Les Disques du Crepuscule here

The final part of Facs In The Attic will deal with other international releases and non-audio Facollectables!

Labels: Anna_Domino, Cabaret_Voltaire, Crispy_Ambulance, Factory_Benelux, Les_Disques_du_Crepuscule, Martin_Hannett, Minny_Pops, Section_25, Stockholm_Monsters, The_Durutti_Column, The_Names, Thick_Pigeon, Wim_Mertens

And so we continue with our trawl through the Factory rarities in order to dig out some valuables, some to be found in the unlikeliest of places. All prices are extracted from the 2014 Record Collector Guide, some eager Discogs listings and my own experiences.

Wim Mertens



Take one Belgian neo-classical composer and two simultaneously issued albums (on Les Disques Du Crepuscule), switch the logos and alter the labels and what happens? Er, very little. By the time Factory got its act together and added them to its catalogue, both Educes Me (FACT 190) and the soundtrack to the heavy Peter Greenaway art-house film Belly Of An Architect (FACT 195) had already sold as many copies as they could muster a few months earlier. To be fair, Belly did fairly well and shifted a few units off the back of the film's VHS release (on Palace, sigh) and via continued interest in Greenaway's work. Educes Me, on the other hand, didn't exactly benefit from being on Factory but it did get a curious re-release as a boxed-cassette. If you happen to have such an item - smartly packaged in a bright yellow hue with a colourful inlay booklet - then have a seat. Record Collector valuations clock in at an eye-watering £200. For a tape. No, really. Check out our Wim Mertens discography to feast your eyes on his other work (much of which fetches serious money - see Part 3 of our Facs In The Attic series).

Various Artists



Inevitably, that most frequent purveyor of releases comes up trumps when it comes to Factory valuables. Various Artists releases include the A Factory Quartet double-album (FACT 24 - £20), the Palatine box-set (FACT 400 - £40 to £100), particularly the vinyl and CD sets and two curios that don't feature in the RC book of dreams. The first is the 4 x 12" promo pack which has no number but comes loosely-housed in a PVC sleeve with each track's BPMs helpfully printed on it, plus four white-label copies of Pleasure Crew's I Could Be So Good For You (FAC 169), Fadela's N'Sel Fik (FAC 197 - worth a tenner on its own), The Hood's Salvation (FAC 182) and Meatmouth's Meatmouth Is Murder (FAC 196). I'd estimate a £15 price-tag, partly for at least two of the enclosed records but also for the attractive Johnson Panas sleeve. The second is Martin (FACD 325), a collection of Hannett's finest production work including Joy Division, U2 and A Certain Ratio etc.. I'd pitch this at £15 to £20 all day long for the CD and vinyl.

All of which is peanuts when compared to A Factory Sample. FAC 2 was the first release on the label, came packaged in expensive polythene outers, bolstered by some natty stickers and four sides of music. No wonder it's valued from around the £200 mark. Without the stickers, it's probably worth £100 - £125 and with a scruffy sleeve minus the polythene, around half that again.

The Wake



Before jumping the sinking Factory ferry and high-tailing it to the Sarah label, Glasgow's The Wake released some of the most beautiful songs to ever grace the label. Vinyl copies of debut-album Harmony (FACT 60) and gorgeous (and delayed) follow-up Here Comes Everybody (FACT 130) command around £20 - £25 each, although the former has just been exquisitely reissued as a double-vinyl version on Factory Benelux which may or may not have an effect on prices. The band's singles aren't too hard to come by although the 7" of Talk About The Past (FAC 88) is trickier to track down (£8).

Stockholm Monsters



This under-rated outfit feature in this article due to their two earlier singles, Fairy Tales (FAC 41) and Happy Ever After (FAC 58), both capable of reaching £15 in top condition. There are two different-coloured sleeves for Fairy Tales, a burgundy and a green one, both as easy (or as hard) to find as each other. The band's only album, Alma Mater (FACT 80) is worth £10 of anyone's money, while their superb Partyline 12" (FAC 146) might scrape a few quid less (a travesty) with 7" test pressings doubling the price.

The best of the rest







In no particular order are just some of the other least likely (and most probable) rarities worth seeking out.
The braille sleeved Electricity (FAC 6) by OMD - £60
The only Distractions single on Factory (FAC 12) - £15
The first (and only) reggae 12" by X-O-Dus (FAC 11) - £15
That infamous Sex Pistols cassette (with gold tape, pouch and card) (FACT 30) - £20 - £50
The one and only ESG 7" (FAC 34) - £30
The majestic Nightshift by The Names (FAC 29) - £15
The white vinyl John Dowie 7" with feather (!) (FAC 19) - £15
The two Dutch masters by Minnypops, Secret Story (FAC 57) and Dolphin's Spurt (FAC 31) - £12
The cassette version of Pigs and Battleships by Quando Quango (FAC 110c) - £18
The rare as hen's teeth CD promo and invite of The Other Two's Loved It (FACD 251) - £25 to £40
The first James single Jimone (FAC 78) - £12
The stand-alone Thick Pigeon album (FACT 85) - £40
The sleazy Crawling Chaos 7" Sex Machine (FAC 17) - £20
and the under-rated Chicken Rhythms by Northside on vinyl (FACT 310) - £12

Thanks to Record Collector and Discogs for prices.

Part 3 will feature rarities recorded by Factory artists and issued on Factory Benelux and Les Disques du Crepuscule.

Labels: Crawling_Chaos, ESG, Fadela, James, John_Dowie, Meat_Mouth, Minny_Pops, OMD, Pleasure_Crew, Quando_Quango, Stockholm_Monsters, The_Distractions, The_Hood, The_Names, The_Wake, Thick_Pigeon, Wim_Mertens, X-O-Dus

Scream City 5, the Factory Records fanzine, is out now and there are still copies available with the limited edition compilation CDR, the tracklisting of which is:

1. Section 25 Poppyfields (Live at Plan K) 5.12
2. Ike Yard Sweep 4.56
3. Thick Pigeon Merry Christmas 3.41
4. The Wake Something Outside (Live at Plan K) 5.35
5. The Names Zeroes 5.30
6. The Durutti Column Untitled Guitar Piece 1989 1.46
7. Biting Tongues Iyahbhoone (Live at Plan K) 6.09
8. The Distractions (I Thought You Were Dead) Josephine (Hollywood Mix) 2.02
9. Shark Vegas You Hurt Me (Radio Edit) 4.47
10. Fidelity Kastrow & Spartak Bad Love (Reeder's Playing the Game Radio Mix) 3.19

Scream City 5 (and a few copies of Scream City 4) are available to buy on eBay priced £3.00 plus Worldwide P+P.

Labels: Biting_Tongues, Ike_Yard, Scream_City, Section_25, Shark_Vegas, The_Distractions, The_Durutti_Column, The_Names, Thick_Pigeon

Scream City, the Factory Records fanzine from the people who brought you Cerysmatic Factory plus special guest contributors, is back (finally) with its fifth (and biggest ever) issue. Scream City is still an old school fanzine and is made from paper, ink and staples.

Scream City 5 (60 pages in colour and black & white) is priced 3.00 GBP + Worldwide postage and packing via eBay (Buy it Now with Paypal only).

- A Factory Trip Around The World - the art of international collecting by Andrew James
- An interview with FAC 51 The Hacienda's (and Smack The Pony's) Fiona Allen
- The Distractions by David Quantick
- An exclusive extract from James Nice's new book about Factory Records 'Shadowplayers' plus a Q&A with Mr Nice
- Closer, Karamazov and K550 by Ian McCartney
- Looking From A Hilltop... at Lytham St Annes (or "When Interviews Go Wrong") - a salutary lesson about the dark art of the interview and a touching tribute to Larry Cassidy by David Nolan
- An interview with Shark Vegas man and remixer extraordinaire Mark Reeder
- Matthew Robertson talks to Factory Australasia man Andrew Penhallow
- Factory Over America - Scream City talks to the US wing of Factory Records with new interviews with Michael H Shamberg and Ike Yard's Stuart Argabright and Michael Diekmann

Initial copies come with a free 10-track compilation CDR featuring live / rare / unreleased material by Section 25, Ike Yard, Thick Pigeon, The Names, The Wake, The Durutti Column, The Distractions, Biting Tongues, Shark Vegas and Fidelity Kastrow & Spartak (produced & remixed by Mark Reeder).

The tracks by Section 25, The Wake and Biting Tongues were recorded live at Plan K in December 2010.

The CDR is a strictly limited edition of 160 copies available on a first come first served basis.

Labels: Biting_Tongues, Ike_Yard, Larry_Cassidy, Mark_Reeder, Scream_City, Shadowplayers, Shark_Vegas, The_Distractions, The_Durutti_Column, The_Names, The_Wake, Thick_Pigeon

If you're an avid or casual follower of the Cerysmatic Factory Message Board, the discovery of a cache of original Factory Records master tapes by artists such as The Wendys, Northside, Section 25, X-O-Dus and Cath Carroll by Oli Wilson whilst clearing his dad's Loft won't have escaped your attention.

A number of the artists in question (the full list also includes Hopper, Fadela, The Railway Children and Thick Pigeon) have already posted on the thread or been in contact with Cerysmatic and/or Oli regarding the find.

In his message, Oli describes what's happened "When clearing my dads loft out I found lots of original master tapes from Factory Records releases over the years. I intend to return these to their rightful owners (the artist) or preferably I would like to put them into an archive in Manchester (whether this is Museum of Science and Industry or somewhere else I dont know yet)."

"I would rather store them as so far they have been kept in great condition by my old man and it would be great to keep them that way... have a feeling that if they aren't kept like that they would just gather dust and rot away in a studio!!!"

That the tapes have been lovingly looked after for all these years is not a surprise given their custodian. Of course, under Factory's infamous "no contract" policy, all the artists owned their own music and Factory "owned nothing".

It would be difficult to begrudge the reunion of the tapes with their rightful owners (particularly if rare and unreleased, or even un-re-released) material exists. However, the donation of such historically significant material to an institution such as MoSI has a nice ring to it. Perhaps there is scope for both to happen.

Now... where's Fadela!?

Labels: Factory_Records, Factory_Too, Fadela, labels, Northside, Oliver_Wilson, Section_25, The_Railway_Children, The_Wendys, Thick_Pigeon, X-O-Dus

Cerysmatic is pleased to confirm that the new Lawrence Weiner exhibition 'AS FAR AS THE EYE CAN SEE' at the Whitney Museum of American Art, in New York, NY includes at least some of his work for Factory Records, namely the posters he did for Section 25 at The Ritz and New Order at Paradise Garage.

We await confirmation of the presence of his sleeve for Thick Pigeon's Too Crazy Cowboys.

Check the visual evidence in the first photo in this review in the New York Times (be sure to also check the slideshow in the multimedia sidebar).

Labels: Factory_Records, New_Order, poster, Section_25, Thick_Pigeon

As promised, the 'official' answers to the Urbis Haçienda quiz:

Round One

1. Name the first DJ and the first live act at The Haçienda.

Hewan Clarke; Bernard Manning (2 points).

2. Which famous spy was 'The Gay Traitor' bar named after?

Anthony Blunt (1 point).

3. Give the name (or type) of two businesses that were run from The Haçienda during the day.

Sandwich Express (sandwich delivery); Swing (hairdressers) (2 points).

4. Name the last DJ and the last live act at The Haçienda.

Elliot Eastwick (for it was he); Spiritualised (2 points).

5. 'Flesh' was the second gay night at The Haçienda. Name the first.

Gay Monday (1 point).

6. The Pet Shop Boys used an artist's films as a backdrop at their Haçienda concert. Name the artist.

Derek Jarman (1 point).

7. Name the two resident DJs at 'Wide'.

Dean Johnson; Dave Haslam (2 points).

8. Name the three designers of The Haçienda trainers.

Ben Kelly; Peter Saville; Yohji Yamamoto (1 point).

9. What was the building originally used for before becoming The Haçienda?

Yacht showroom (1 point).

10. Name the person that co-promoted 'Flesh' with Paul Cons.

Lucy Sher (1 point).

Round Two

1. Following closure, The Haçienda reopened with three new nights. Name them.

Beautiful 2000; Shine; Saturday at the Haçienda (3 points).

2. Name either the author or the work from which The Haçienda name was taken.

Ivan Chtchteglov: 'Formulaire Pour Un Urbanisme Nouveau' (1 point).

3. What was the name of The Haçienda's 1989 US tour?

United States of the Haçienda (1 point).

4. Name the band formed by Paul Morley and Trevor Horn.

Art Of Noise (1 point).

5. Name the building company responsible for The Haçienda flats.

Crosby Homes (1 point).

6. When Frankie Knuckles played The Haçienda on New Year's Eve 1996 was he paid:
a. GBP 5k?
b. GBP 15k?
c. GBP 25k?

b. GBP 15k (1 point).

7. Who bought The Haçienda DJ booth at the auction (and then lost it)?

Bobby Langley (1 point).

8. A regular performer at The Haçienda, born Alexander Coe in Bangor, worked at Shelley's in the mid-eighties, now a superstar DJ. Who am I?

Sasha (1 point).

9. Which internationally famous ex-Haçienda DJ started out as a chef at Dry Bar?

Laurent Garnier (1 point).

10. What was the Factory catalogue number of The Haçienda cat?

FAC 191 (1 point).

11. Which famous television music programme was recorded at The Haçienda in the mid-eighties?

The Tube (1 point).

Depending upon your score, award yourself the following title:

1-5: Thick Pigeon
6-10: Railway Children
11-15: Minny Pops
16-20: Adventure Babies
21-25: New Orders
26-27: Happy Mondays (You win The Shaun Ryder Cup!)

Labels: Adventure_Babies, Ben_Kelly, Dave_Haslam, Happy_Mondays, Minny_Pops, New_Order, Pet_Shop_Boys, The_Railway_Children, Thick_Pigeon

This isn't new news but following on from the post about Quando Quango downloads, not only is the entire Quando Quango LTM back catalogue available in the iTunes Store (at least in the US) but also a wide range of (ex-) Fac artists can be found there too including The Wake, The Names, Thick Pigeon, Section 25, Stockholm Monsters, Revenge, Anna Domino, Kalima and Crispy Ambulance. Still waiting on Cath Carroll and recent catalogue additions A Certain Ratio.

LTM Publishing

Thanks to Mike.

Labels: A_Certain_Ratio, Crispy_Ambulance, Kalima, Quando_Quango, Stockholm_Monsters, The_Names, The_Wake, Thick_Pigeon

The forthcoming sampler album Little Darla Has A Treat For You: v.22, Indian Summer 2004 features an exclusive Crispy Ambulance track 'Open, Gates of Fire' (7:41) from The Powder Blind Dream [LTMCD 2372] sessions: the only studio version of Crispy Ambulance's standard live encore closer, never to be repeated. Crispy Ambulance say: "This is more than just an exclusive track. Culled from sessions for The Powder Blind Dream it's the only studio version of our standard live encore closer, never to be repeated."

The album also features 'Riding' by Thick Pigeon from the CD Miranda Dali [LTMCD 2381] and 'Caught' by Anna Domino from the CD Anna Domino [LTMCD 2397]

Details

Release date: 23 August 2004
Label: Darla
Available to order: DarlaShop.com

Thanks to Crispy Ambulance: The Aural Drug for info.

Labels: Crispy_Ambulance, LTM, Thick_Pigeon

LTM are ringing in the New Year in style with two new releases: LTMCD 2381 Miranda Dali by Thick Pigeon and LTMCD 2364 So Hot by Swamp Children (formerly available as Fact 70). The latter comes with all new groovy artwork and includes extra tracks taken from the Fac 49 'Little Voices' 12" single. These releases are not yet in the shops yet, but are available from LTM direct (where Visa payments are now accepted).

Also, LTM will have the Revenge double CD - LTMCD 2375 One True Passion V2.0 - in stock on or about 12 January.

Later in the year, amongst other delights, watch out for a re-release of the Fact 165 Anna Domino album by Anna Domino, Crispy Ambulance's The Powder Blind Dream, The Royal Family and the Poor's Nocturnes, and a sequel to LTMCD 2377 Cool As Ice - The Be Music Productions called 'Twice As Nice'.

Labels: Crispy_Ambulance, Swamp_Children, The_Royal_Family_And_The_Poor, Thick_Pigeon

A most definitely untouched photo of the Lawrence Weiner poster for the Section 25 / Quando Quango gig at the Ritz which has been the subject of some discussion on the Faclist. Please excuse the reflections! Thanks again to Colin at Vinyl Revival which is a veritable Aladdin's Cave.

On the poster itself, the corner cut-outs are reminscent of the one on the cover of Thick Pigeon's 'Too Crazy Cowboys' and indeed this too was designed by Lawrence Weiner.

Labels: poster, Quando_Quango, Thick_Pigeon

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