12 Feb 2011
Jez Kerr solo live tour plus interview 
Jez Kerr hits the road with his live band starting on Saturday 19 February at Gullivers in Manchester followed by Saturday 26 February at Zanzibar, Seel Street, Liverpool and 28 March at the Heavenly Social in London in support of new single Play Sumthing Fast (available from iTunes UK now).

Cerysmatic Factory caught up with Jez with the tour about to unfold to talk about the new and the old:

CF: You've had offshoot projects before (e.g. Twenty Four Hours) but why is now the right time for a solo project proper?

JK: I think now is the right time, because I've written a good album and I want to play it live, and I want to actually get to play more than 5 times a year.

CF: What can we expect from you live? Will it be substantially different from A Certain Ratio? What is the live line-up?

JK: You can expect a great set, Simon Wolsencroft's powerful drumming, New Order DJ Tintin's synth bass lines, Keo Martin's Slits-like guitar, my bass and words. Not sure what it will be like, could be a bit like ACR, but that's not surprising really, I think it's a bit punkier.

CF: What was it like working with Simon Topping again after all those years on the Sum Ratios project? Is there anything else in the pipeline from the band?

JK: I enjoyed meeting up with Simon and Pete again. A year prior to the gig at FAC 251 we met up in St. Helens and had a rehearsal. Pete hadn't seen Simon for 25 years, and it was the first time in 25 years that Pete had played guitar. We jammed just one thing for about an hour. Unsurprisingly in the key of 'E'. As if we had never had a 30-year break.

CF: There was a large archive of demo and live recordings of Joy Division collected by Rob Gretton and Peter Hook over the years. Is there a similar collection of historic ACR recordings?

JK: There may well be, the Talking Heads track we recorded with Grace Jones? Also, I have got a cassette recording of my first rehearsal with Pete and Simon, from 78. It was 2 days before my first gig with them at Band On The Wall. It's from that cassette, that I reworked an unrecorded tune called Intro/Talk-in, into Teri.

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10 Feb 2011
Bad Lieutenant Reeder's Twist of Fate mixes 
Mark Reeder's remixes for Bad Lieutenant's single Twist of Fate will be released alongside remixes from Toronto's Koishii & Hush, AK47 from Buenos Aries and alongside a new remix of Poisonous Intent from James Bright (Macclesfield) as an iTunes bundle on 6 February 2011 and also via Amazon France.

The full tracklisting is:

1. Twist of Fate (Reeder's Synth of Fate Remix) (8:23)
2. Twist of Fate (Koishii & Hush Remix) (7:57)
3. Twist of Fate (AK47 Bullet Remix) (8:40)
4. Poisonous Intent (James Bright Remix) (7:11)
5. Twist of Fate (Reeder's LED's Twist Again Remix) (5:20)

The Sink or Swim remix bundle is still available from iTunes UK.

Additional: Occasional Durutti cohort Laurie Laptop worked on the Tintin's Disco Mix version of Twist of Fate which was released in 2010. Tintin is Bad Lieutenant's live gig DJ.

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Biting Tongues

In the grey days of late 1970s post-punk Manchester, youth culture was a serious affair: every musical performance was measured mostly by the conviction of its delivery. The term 'New Wave' opened up free vistas where acquired skills could once again be exercised after punk's monochrome blur. It could be applied to anything from a James 'Blood' Ulmer record to the latest Throbbing Gristle release, Magazine to Swell Maps. Move outside that terrain into Sun Ra, Parliament, Frank Sinatra and Martin Denny, and your options were suddenly without limit...

Then came Tony Wilson's Factory Club (at the Russell Club in Hulme) offering an open invitation to experiment that was taken up when Ken Hollings, Howard Walmsley, Eddie Sherwood and a few others decided to make some noise to accompany their 16mm silent epic Biting Tongues. A further performance followed a few weeks later, when Colin Seddon and Graham Massey disbanded their Post Natals project and joined up. The film itself, a flashing series of negative images, became a memory; the name remained.

- extract from the LTM Biting Tongues biography

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