9 Dec 2019
Praxis XL - Factory and Haçienda Postcards 
Praxis XL - Factory and Haçienda Postcards

Stuck for ideas for Christmas presents for the Factory obsessive in your family? Why not treat them to a pack of ten postcards featuring reproductions of flyers and posters designed by Trevor Johnson for Factory and the Haçienda. The set is available for the princely sum of five pounds direct from the-modernist.org on the occasion of the Praxis XL exhibition which runs in Manchester until 23 December 2019.

And then there's the Praxis XL badge set.

See also: The Praxis XL Exhibition Review

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6 Dec 2019
Matthew Robertson in conversation at The Modernist Society 
Matthew Robertson in conversation at The Modernist Society

Matthew Robertson, the author of the Fac 461 Factory Records - The Complete Graphic Album will be in conversation with Pete Mitchell at The Modernist Society in Manchester on Wednesday 18 December 2019 from 18:30 to 20:00. This event follows on from the sell-out Trevor and Craig Johnson event set up to coincide with the Praxis XL exhibition which runs until 23 December 2019.

Factory fans will know that Matthew’s book painstakingly researched and beautifully illustrated book covers much of Factory's design output and serves as an essential guide. Many of the images in the Praxis exhibition were courtesy of Matthew and he is sure to have many insights into Factory's catalogue. Copies of the book will available in the shop and Matthew will be available to sign them for you.

Book now via the-modernist.org [-->]

The Modernist Society
58 Port Street

See also: The Praxis XL Exhibition Review

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Slow Car Fast Car 

Minny Pops follow up the Outernationale remix EP with a new release 'Slow Car Fast Car' which is out now on most major digital platforms including SoundcloudApple MusicSpotify and Deezer.

A suitably enigmatic message from "Your Leader " has appeared on the Minny Pops website (how'd that happen? Ed.):

"The other day I was thinking what is the point of driving a Porsche if you are always stuck in traffic? Which also made me think, what is the point of taking a Porsche out for a test ride if you can’t afford one?"


5 Dec 2019
The Biting Tongues 'Live It' Review by Iain Key 
The Biting Tongues 'Live It' Review by Iain Key

Former Factory artist Biting Tongues have just had their 1981 limited cassette-only lost release 'Live It' reissued by Andy Votel's Finders Keepers Records.

Originally released on New Hormones, Biting Tongues' 2nd album was one of a series of three limited edition releases of just 500 cassettes (others by Ludus and CP Lee) that came with a booklet, badge, stickers and a sweatshirt offer. The 6-track release has now been expanded to 10 with the additional 4 tracks coming from rare cassette magazines released at the time.

The idea of releasing it on tape only appears to have been a financial one by the label despite them being in vogue (the Walkman being relatively new and cassette sales actually being equal to, if not greater than vinyl at the time). In his notes, Graham Massey explains, "New Hormones didn't have enough money to press it up on vinyl and so it became a cassette-only release, which felt like a bit of a disappointment. I always felt it buried some of our best work, compounded by the fact that we actually left off some of the best tracks from the session. These tracks lived on a cassette I've carried around for forty years, the tape slowly getting dull and wearing thin. In recent years I've been digitising Colin Seddon's cassette collection of Biting Tongues material and rediscovered a first-generation recording of the sessions on TDK SA tape."

Prior to listening to this reissue of 'Live It' I'd only previously only heard a handful tracks released on various Factory compilations and only had a very rough idea of the history of the band from their formation to provide a soundtrack to the saxophonist Howard Walmsley's film 'Biting Tongues' through to the initially unreleased 'Recharge' album so it was fascinating listening to this as a something new in 2019 and also trying to imagine how it would have fit in during those heady days of post-punk and New Romantics.

My thoughts on the first couple of listens were that it was very angular and abstract, not very easy listening, and improvised. Through Graham's notes which accompany this release it would appear my final thought especially was wide of the mark, with several mentions of demos being recorded and sent down to London for vocalist Ken Hollings to refine his lyrics before travelling up to Manchester to record them.

So improvised may be the wrong word; with repeated listens there is clearly a depth and structure to the tracks despite it occasionally sounding like band members are going off and playing at tangents with vocals being improvised. As Ken explained in an interview in 2008 there is a difference to how the band would record which gives it a unique sound and one was that odds with how many things would have been produced at the time, "We'd record a whole side of an album in one session with no breaks between the tracks and do a mix afterwards – nothing was ever re-recorded – we'd even leave in any slips of the tongue or mispronounced words I might have struggled with in the session, any stray pieces of sound that the microphone picked up, or we'd simply record straight onto two-channel tape, recording through the studio desk with the producer mixing and adding effects while we were performing in the studio – we wouldn't know what it sounded like until the playback – and because it was two-channel you couldn't correct it: you'd have to do the whole thing again, which we pretty much refused to do'.

I can hear some influences on this release from Talking Heads' 1980 release 'Remain In Light' but, for those listening in 1981, tracks such as 'Libreville' would have easily complemented releases such as 'To Each...' by A Certain Ratio where tracks such as 'Back To The Start' mix a variety of instruments, not always conventional over driving rhythms to create a danceable beat, but very different to the polished chart music at the time which was dominated by the likes of Adam and The Ants, Madness and Soft Cell.

In 2019 each listen brings something new, there is so much going on across the 10 tracks there's a sense of opening Pandora's Box that it begs for repeated listening, and although it maybe a little challenging at, first patience is paid off.

It's not often that something that's nearly 40 years old can sound as contemporary, interesting and challenging as this release does.

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2 Dec 2019
Section 25 IndustrialUnit live in Manchester and Freiburg 

Section 25 IndustrialUnit follow up their recent show in Walthamstow, London with a couple of 2020 dates in Manchester and Freiburg.

On Saturday 29 February 2020 it's Aatma on Faraday Street in Manchester with special guest The Junta. They travel to Freiburg in Germany for a date at The Slow Club on Friday 3 April 2020.


29 February 2020
Aatma, 1st Floor
14-16 Faraday St
M1 1BE

Buy Tickets Now

Friday 3 April 2020
Slow Club Freiburg
Haslacher Straße 25
79115 Freiburg im Breisgau

Facebook Event

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