The winners of the recent poster design competition run in conjunction with the Use Hearing Protection: FAC 1 - 50 / 40 exhibition at Chelsea Space were announced at an event at the gallery on 24 October 2019.

Chloe Wang won a copy of Use Hearing Protection - Factory Records 1978-1979 for her minimal design shown above. Chloe was presented with her prize by exhibition co-curator Mat Bancroft. Special mentions go out to Steven Fenwick, Fliss Horrocks, Edith Owen and Macy Ward for making the Top Five.

The 5 designs were all printed, framed and exhibited on the outside wall of Chelsea Space.

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Congratulations to the makers of the selected designs of our poster design competition, inspired by ‘Use Hearing Protection: FAC 1 - 50 / 40’! And a huge THANK YOU to all those who have submitted beautiful, inspiring designs. We’ll share the entries on our website www.chelseaspace.org - in the meantime these are details from the five selected posters, which will be on display at Chelsea College of Arts for a few more weeks. In order, designs by Fliss Horrocks, Steven Fenwick, Macy Ward, Chloe Wang, Edith Owen. #factoryrecords #posterdesign #usehearingprotection @factorycomms @chelseaual @warnermusicuk

A post shared by Chelsea Space (@chelseaspace) on Oct 25, 2019 at 5:41am PDT

More info (including all designs submitted): chelseaspace.org

Labels: Chelsea_Space, competition, graphic_design, Mat_Bancroft, Use_Hearing_Protection

Paul Smith has linked up again with Warners/Rhino/Factory to launch a series of Paul Smith x Factory Records limited edition t-shirts as part of the celebrations of the 40th anniversary of the label. The five designs feature the first generation logo, the Use Hearing Protection graphic and the third generation "smokestack" logo.

Shoppers in the UK should visit paulsmith.com/uk in order to buy the shirts which are priced at £70 (!) and international shoppers should head to the main paulsmith.com site and select their region.

See also: Paul Smith 24 Hour Party People T-Shirt

Labels: Paul_Smith, T-Shirt, Use_Hearing_Protection

Where do you start?

It's big? 15" x 15" x 5" is a little oversized for the average shelf.

It's quite expensive? Yes, but with some justification.

It has limited appeal? Maybe, but those who are invested will love it.

It's breathtaking.

When this box was first announced in August, I had no hesitation in ordering it. Whilst costing more than I would normally spend (I thought the deluxe version of 'Movement' a little on the high side) the contents, the book, the music, the posters, the CD and DVD promised a treasure trove of riches most could only dream of owning, despite being copies.



It's worth noting on this point that where things are facsimiles, they are to the highest degree, for example, FAC-2 is in a proper heat sealed sleeve rather than a card or paper one. FAC 6 is in a replica black-on-black thermographic braille sleeve. Clearly no expense has been spared in the production of this box celebrating greatest of all record labels.

Opening the high quality box very carefully the first thing you see is the 12x12" 60-page paperback book. With new text by the curator, James Nice, and some rare full-size photographs mixed with quotes from various sources, this focuses on the content of the box and reprints an original 1979 article by the future filmmaker and screenwriter Mary Harron. My initial intention was to have a quick skim through the book before moving on to the contents of the box, but found myself being drawn in and studying it in detail for a long time.



Nestled between the book and the first couple of pieces of vinyl are the 3 posters and other paper-based artefacts (FAC 1, FAC 3, FAC 4, FAC 7 and FAC 8).

The posters I've not opened out yet and, to be honest, I'm a little scared of doing so as I don't want to damage them at all as I am contemplating having them framed. The stationery is interesting, especially the copy of the 'History of Factory' double-sided piece of A4 originally typed up by Tony Wilson. When it comes to Linder Sterling's Factory Egg Timer print it's something of a curio. Indeed it's probably something that will get passed over during the first examination by most people, but it's essential as not only is it one of the first 10 items with a Factory catalogue number, it's so off the wall you can't imagine any other record company encouraging the idea of such a thing… which in itself is what makes Factory so special.

Moving on to the vinyl, as mentioned these are facsimiles of the originals. A Factory Sample, All Night Party, Electricity, Unknown Pleasures and the previously unreleased 3-track 12" by Tiller Boys. Other than the Joy Division album (the 2015 master), all of the other tracks have freshly been remastered at Abbey Road this year from the original tapes.

I must confess, that when listening to 'A Factory Sample' I realised what a bad 'fan' I am. Other than the Joy Division and Cabaret Voltaire tracks I'd never actually heard the other tracks on the debut EP, never having owned it before. Whilst I was listening to the first disc I looked at what was in the charts on 24 December 1978 when it was released… Boney M were No 1 with 'Mary's Boy Child' in the singles and the 'Grease Soundtrack Album' was holding off all pretenders in the album chart. Those Martin Hannett-produced tracks sound light years away from what was in the mainstream at the time, as would the Cabs. Curiously the 3 tracks by John Dowie don't sound that dissimilar from something the likes of the Barron Knights may have performed, who had a single in the Top 5 at the time.



I'm not sure how the bonus Tiller Boys 12-inch would have been received if it had been released as originally planned. It's interesting to hear, but to my ears is basically a set of instrumental jams, and not something that would have necessarily been comparable to the opening salvo of ACR, OMD and Joy Division, although again, the fact that this was considered is typical of the label.

Hidden under the seven-inchers are the final treasures in the box, the first of which is the rarely seen and recently remastered 'No City Fun'. Accompanied by 3 Joy Division tracks, the film is almost exclusively filmed on the 42 bus route through Withington to Manchester City Centre. For me this was fascinating as it took me back to my youth, as it was about a journey I vaguely remember making as a 9-year-old complete with orange double-decker buses and Piccadilly Radio 261.

The final item contains 2 CDs worth of an interview / conversation with the aforementioned Mary Harron. This comprises ninety minutes of conversation between Mary, Tony, Rob Gretton and the members of Joy Division whilst eating out in Manchester. I had an idea this would be interesting, but I didn't realise HOW interesting. The conversation covers everything from the birth of punk and the Sex Pistols in Manchester to the formation of Joy Division and Factory. There’s all this and Tony Wilson really pushing a new Mexican restaurant (which probably would have been one of the first) in Manchester City Centre and explaining what a taco is to those listening.

Unlike myself and the Factory Sample, I imagine anyone reading this, or thinking of buying the box will have heard or own the contents of the box. They may also have seen much of the printed material in books or behind glass at exhibitions.

The box is a gorgeous artefact, lovingly curated and a truly a sum of its parts. For me personally, it's an audio/visual time capsule of a period which I missed out on by around 10 years and it offered me an opportunity to immerse myself in the late 1970s Manchester. Incidentally I am currently reading Gareth Ashton's brilliant 'Manchester: It Never Rains’ book which covers this period via eye witness accounts and adds additional context from outside of the Factory bubble.

Yes, this is expensive, but I'd say worth it as it's a quality item, which has been made to the highest possible specifications and overseen by those that have been keeping the Factory legacy alive.

Saying it's the perfect tribute for the 40th Anniversary of Factory, and to the memory of Messrs Curtis, Hannett, Gretton and Wilson, or a celebration of Saville and those who remain doesn't seem enough, but that's exactly what it is.

- Iain Key for Cerysmatic Factory

Labels: A_Certain_Ratio, Cabaret_Voltaire, Factory_Records, graphic_design, history, Iain_Key, James_Nice, John_Dowie, Joy_Division, Linder, OMD, Peter Saville, review, The_Durutti_Column, Use_Hearing_Protection

The Use Hearing Protection FAC 1-50/40 exhibition at Chelsea Space in London runs until 26 October 2019. As well as displaying, to all intents and purposes, the complete rundown of all the Fac numbers from 1 to 50, this exhibition presents the first opportunity to buy official Factory records merchandise (to any real degree) since the heyday of Factory Records itself. The Use Hearing Protection - Factory Records 1978-1979 box set itself is released on 11 October 2019 but the price tag on that rolls in at a hefty 180 GBP. Here we present a quick run-through of the slightly more affordable merchandising options, most of which are only available at the exhibition itself (as of the publication date of this article).

First up we have individual Factory Records postcards priced at £2.00 each. These come in Fac 47 anvil logo (black-on-white and white-on-black variants), Fact 45 'Always Now', Fact 10 'Unknown Pleasures' (white-on-black and black-on-white variants) and Fac 33 'Ceremony' (green sleeve).

Next (all at £5.00) we have the Factory badge set (5 button badges in various designs including worded 'Factory' and anvil), Factory pencil, Factory key ring and the Use Hearing Protection poster (which seems especially good value).

At £10.00 we have the Unknown Pleasures and Always Now tea towels. My mind starts slightly thinking of Joy Division Oven Gloves at this point but these do seem to be a constant in the photos of hauls made by people who I know who have visited the exhibition so someone in the marketing department deserves a big pat on the back for having the guts to see this one through to manufacturing and selling! Also at £10.00 there's Factory A6 paper pad and the Factory tape (eschewing the original silver-on-green of Fac 136 for on-message yellow-on-black). If A6 isn't big enough for you then there's an A5 paper pad at £15.00. Both pads seem a tad pricey but the grey design is attractive.

Finally there's a series of t-shirts in various designs starting at £15.00 for the kids' yellow Use Hearing Protection one (which looks great but, even though I've lost a lot of weight, won't fit me) and £25.00 for the adult t-shirts - Use Hearing Protection white, the amusing 'Printed on poor quality vinyl' stamp white t-shirt and the rather snazzy 'Unknown Pleasures' with text in the correct size in white-on-black.

Bonus items also on sale include Matt Robertson's Fac 461 'Factory Records - The Complete Graphic Album' book and the 40th anniversary vinyl edition of Fact 10 'Unknown Pleasures'.

Happy shopping!

Let's hope that after the exhibition finishes the range of items available to buy online is extended.





The full price list is as follows:

FACTORY RECORDS PRICES
Hearing Protection White T-shirt*	£25.00
Hearing Protection Yellow kids T-shirt*	£15.00
Unknown Pleasures Text Black T-shirt*	£25.00
Stamp White T-shirt*	£25.00
Factory Postcard	£2.00
Factory A5 Pad	£15.00
Factory A6 Pad	£10.00
UP Tea Towel	£10.00
Section 25 Tea Towel	£10.00
Badge Set	£5.00
Factory Tape	£10.00
Factory Pencil	£5.00
Factory Pin Badge	£5.00
Factory Key Ring	£5.00
Factory Records Book	£25.00
Unknown Pleasures Vinyl	£20.00
UHP Poster	£5.00

Labels: exhibition, graphic_design, Joy_Division, merchandise, Peter Saville, Section_25, Use_Hearing_Protection

My favourite item in the Use Hearing Protection FAC 1-50/40 exhibition is the Fac 27 'Sex Machine alternative sleeve' artwork. It has always intrigued me as to what this actually was (and, indeed, whether or not it actually existed as opposed to just being a concept). During the 'Back in the Cellar' archive project (2009-2019) I uncovered a sketched out drawing which to my mind could have been the "alternative sleeve" - see above.

However, it always seemed a bit too jovial or jocular for a Crawling Chaos sleeve. Now that the true source has been identified (Chapter 13, page 59 of 'La Baronne Steel' by Jim) it seems reasonable to assume that the sketch (probably by AHW) was done as a rather loose interpretation before the final, less-pornographic, sleeve for Fac 17 'Sex Machine' was decided upon (see last image).



Exhibition caption

La Baronne Steel
By Jim

The alternate cover concept for Crawling Chaos's Sex Machine was a Peter Saville design using an image from the book La Baronne Steel (The Baroness Steel) by illustrator Jim. First published by les humanoides asscolés in Belgium in 1976 the book features numerous illustrations by Jim throughout. The image Saville had marked as the potential cover image was on page 59 highlighting Chapter 13.

Note: there is no mention of Rob Gretton who is generally credited on this Fac number in this caption - more information needed.

Fac 17 'Sex Machine' final sleeve

Labels: Crawling_Chaos, exhibition, graphic_design, history, Peter Saville, Rob_Gretton, Use_Hearing_Protection

To coincide with the Use Hearing Protection FAC 1-50/40 exhibition which runs until 26 October 2019, hosts Chelsea Space are running a poster design competition. Visitors to the exhibition are invited to submit poster designs inspired by the First 50 Fac numbers.

5 designs will be selected to be exhibited on the exterior wall of Chelsea Space. Winning designs to be announced and exhibited on Thursday 24 October.

The original exhibition poster was designed by Howard Wakefield. Entrants are invited to design a poster that is 16 cm high by 12 cm wide.

Submissions must be received by Chelsea Space by Monday 20 October 2019.

All submissions must include name and email address.

By submitting an entry to this competition you agree for your name and the image of your design to be used by Chelsea Space for marketing purposes.

Labels: exhibition, graphic_design, Howard_Wakefield, Use_Hearing_Protection

The Use Hearing Protection FAC 1-50/40 exhibition (aka "we are bored in the city") is on at Chelsea Space and the Chelsea College of Art and Design until 26 October 2019. Curators Mat Bancroft and Jon Savage have assembled historical artefacts in the form of records, posters, archive papers, documents and much more in the first exhibition of its kind that I can remember as part of celebrations of the 40th anniversary of Factory Records (41st shurely? Ed.).

The exhibition deals with the first fifty Fac numbers in approximately numerical order starting with Fac 1 at the end of the corridor as you enter the main space and after some scene-setting posters and publications such as the Joy Division 'Walthamstow' ("Shimmy") and Situationist texts like 'Leaving the 20th Century'. Explanatory texts and captions are kept to minimum but there is a foldout A4 black-and-white information sheet or, for a modest £5, the "we are bored in the city" A5 black-and-white information booklet (by Jon Savage) which contains small reproductions of some of the artefacts on display.

The FAC 1-50 collection is impressive when seen together as a body of work and is all the more so when you consider the very short span of time it took for it to be developed (1978-1981). Given the rarity and value of some of the individual items it's pleasing to see virtually everything that could be displayed is present and correct. The only exceptions are the mega-rare black-on-silver variant of the Fact 10+4 poster and the Fac 46 'Video Circus' poster. The latter number is represented only by the silver A Certain Ratio sticker for the NYC leg of the Video Circus. Interestingly the copy on display featured blue ink on a silver sticker whereas my personal copy (kindly given to me by Donald Johnson of ACR) has red ink. The former is very rare indeed and it was not possible to locate a copy (where are you Steven?).



The supporting material is mainly presented in flatbed display cases with clear vitrine protective lids. This comes from a variety of sources but most notably the AHW Collection at the Science and Industry Museum in Manchester. This aspect was especially pleasing for me on a personal level since I have been involved with the documenting and catalogue of that collection since 2009 when I was invited to help the Museum by Oli Wilson. All along it's been at the back of my mind that wouldn't it be great to see this material in an exhibition. That dream has finally come to life and there is the tantalising prospect of even more material being exhibited when the Use Hearing Protection exhibition transfers to the Science and Industry Museum next year. The theme will still be FAC 1-50, but, due to increased capacity when the new exhibition space at the Museum is completed, there will be scope to include more material. I understand that there are also proposals to include a video screening room and perhaps even hold more associated events.

In fact, if there was one criticism of the current exhibition it is just that the limited exhibition space just isn't big enough to allow justice to be done to everything. With the exceptions of Fact 10 which has a whole panel devoted to it, Fac 18 which has 7"/12" variants and Fac 41 Fairy Tales (green and purple colourways), pretty much only one side of one version of one format is viewable. It would be nice to see both sides of the sleeves of all releases in the way that materials were exhibited at The Peter Saville Show in 2003. There are numerous opportunities to include additional material, such as all the variants of the Fac 18 'Girls Don't Count' with all the three different girlfriends, the Fact 14 'The Return of the Durutti Column' variants with and without stencilling, Fac 19 'It's Hard To Be an Egg' with the feather, Fac 39 'Watching the Hydroplanes' on clear and transparent vinyl, different formats of various albums and the occasional promotional poster.

Here's looking forward to next year.

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More info at usehearingprotection.com/exhibition [->]

Labels: exhibition, Factory_Records, history, Jon_Savage, Peter Saville, Use_Hearing_Protection

'we are bored in the city' published by Chelsea Space to coincide with 'Use Hearing Protection: FAC 1 - 50 / 40' is available to buy online via estore.arts.ac.uk.

This old school, fanzine-style booklet includes an essay by Jon Savage and archival images & documents from the early Factory years, many of them from the AHW Archives at the Science and Industry Museum in Manchester.

It's also available to buy in person at the exhibition itself and you may even get lucky and receive a free copy of the Fac 28 'Komakino' flexi-disc (while stocks last!). This famous Fac flexi was supposedly going to be made available free wherever it was made available. Forty years down the line isn't too bad to be fulfilling on that promise.

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we are bored in the city
A5 black and white
36 pages
ISBN: 978-1-911618-05-8

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See also: Those Factory Records flexis in full | Joy Division | Back in the Cellar

Labels: Chelsea_Space, exhibition, Factory_Records, Jon_Savage, magazine, Use_Hearing_Protection

To coincide with the start of Use Hearing Protection FAC 1-50/40, the exhibition's co-curator Mat Bancroft popped onto the Mary Anne Hobbs show on BBC 6Music to present a 3 Minute Epiphany for Factory Records.

It's available to listen again as part of the show (at 1h 40min) or you can download the podcast.

Labels: BBC_6Music, Factory_Records, Factory40, Mat_Bancroft, podcast, radio, Use_Hearing_Protection

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